the new new by kelly stuart essay

than they are now. Thats what is going. You people already know who you are. Some of the pieces are wonderfully surrealistic. I recognize that this is an effective, poetic formulation, and Im touched by that, but its problematic.

Essayism is ultimately about how literature can make a difference



the new new by kelly stuart essay

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McEwen glosses this as a surprising mid-twentieth-century plea for weirdness, for individuality, for kindness, a vote for a necessary biodiversity of personalities, a society of emotional richness that might have succeeded that of the unsatisfactory, self-satisfied striving and self-strangulation that always defined life in America. The New Aesthetic is image-processing for British media designers. James Bridle has said many times that he thinks that New Aesthetic is a problematic coinage, that its rubbish. I am merely stating, as a stark and demonstrable fact, that our machines have no such reactions. Finally, retro 80s graphics are sentimental fluff for modern adults who grew up in front of 1980s game-console machines. They have depth and breadth. The products of a collective intelligence rarely make much coherent sense. Its a lure and a snare. Instead of merely collecting weird seashells on the vast Newtonian shore, theyd be able to state that they had carried out a huge land-reclamation project. It would manifest a friendlier attitude toward non-artistic creatives and their works. If you want to get into arcane matters such as interaction design, computational aesthetics, covert surveillance, military tech, theres a lot of room for that activity in the New Aesthetic.